Category Archives: Ryogan Chronicles

The Ryogan Chronicles are Back!

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This has been a year with a lot of surprises, good and bad. For my book life, however, it’s been a fair amount of good news, especially for The Ryogan Chronicles!

They’re back! And then some!

With brand new covers made by Cait Greer and wonderful extras on the interiors (like maps!), the whole series is once again available for readers to purchase.

BUT THERE’S MORE GOODNESS TO COME!

Publishers Marketplace Deal Report Category: Audio Rights October 3, 2023 THE RYOGAN CHRONICLES By Erica Cameron Imprint: Tantor Media Erica Cameron's THE RYOGAN CHRONICLES, in which a young warrior must fight against impossible odds and dangerous magic to rescue her brother and save her community's isolated island from dark forces, to Kim Budnick at Tantor Media, in a three-book deal, by Eric Smith at P.S. Literary (world English).

My wonderful agent has sold the audiobook rights to the whole series, so that means you’ll eventually be able to beam Khya and her whole squad directly into your earbuds.

More to come on voice actors, release timelines, and other cool news!

Thanks, everyone for your patience as I worked on releasing these books. Hopefully you like the new editions as much as I do!

War of Storms is almost here.

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The final book of The Ryogan Chronicles releases November 5th, and I can finally tell you more about it! But first, LOOK!

Isn’t it beautiful?

The immortal mages have risen, and they’re out for blood.

Khya arrived at the Ryogan coast too late to stop the invasion. Now, cities are falling before the unrelenting march of an enemy army, and Khya’s squad is desperately trying to stay ahead of them. Warning the Ryogans, though, means leaving her brother imprisoned even longer. Time is running out for everyone.

But how can her squad of ten stand against an army of ten thousand?

Calling in help from every ally she’s made in Ryogo, Khya tries to build a plan that won’t mean sacrificing her friends or her brother. It’s a tough balance to find, especially when the leadership role she thought she wanted sits heavy on her shoulders, and her relationship with Tessen is beginning to crack under the strain.

The end is coming, and there’s no way to know who’ll be left standing when it hits.

The wait is almost over! The storm is rolling in.

An Interview on YA Cafe!

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Today, I was lucky enough to be interviewed on The YA Cafe podcast with Laura Moe! It was a great conversation about Island of Exiles, writing, asexuality, death rituals, speculative fiction, the popularity of dystopia, and more. Not necessarily in that order.

You can listen to the hour-long podcast here!

Thank you, Laura, for a great conversation!

Amazing news from Kirkus!

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This is amazing! Kirkus has not only given Island Of Exiles a ?STARRED? review, they have made it one of their indie books of the month for April! Thank you, Kirkus!

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Island of Exiles is here!

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I am so happy to say that Island of Exiles, the first installment of The Ryogan Chronicles, is officially out in the world!

Although there are certain similarities in how different books are brought into the world, there is also a lot that changes from release to release. For me, Island of Exiles has been different from the beginning.

When she bought the book, Kate Brauning pushed me past what I thought the story was about, giving me the chance to reexamine the story to add layers and complications. Entangled Teen went above and beyond to support me and the release of this title. I was able to collect blurbs from some great authors, all of whom raved about the story. Then, I found out that not only would my book be a Junior Library Guild selection (a big effing deal, in case you hadn’t heard of them), it would also be found worthy of a Kirkus STAR. ?

? “Readers won’t be able to put this book down, as the excitement begins from the first page and only grows from there. Cameron expertly blends worldbuilding and intriguing characters with page-turning action scenes and a story that builds in tension and complexity. The novel’s commitment to diversity adds new dimensions to the story, as the cast is entirely nonwhite, and the clan recognizes nonbinary gender identities and complex sexual orientations. The lexicon of unique terms and concepts may be intimidating to some readers, but the vocabulary adds fantastic texture to the world without distracting from the plot. This is rare gem of a book that has a lot to offer readers, including magic, action, and intrigue on the edge of a knife. A fresh, original series starter, bolstered by a dynamic protagonist and a welcome sense of depth.” ?

The response today has continued the trend. The love from readers and reviewers has been utterly fantastic, and for the first time in my writing career, I was able to find copies of my new release at my local Barnes & Noble. Not only that, I met a teen reader and she walked away with the first ever signed copy of the novel! There’s no better way to cap off a release day than that.

Also, thank you SO MUCH to everyone who posted “in the wild” pictures of Island of Exiles today! It’s one thing to know theoretically that a book is out in the world, and it’s something entirely different to actually see proof. These posts helped make this release day especially spectacular! Thank you, thank you, thank you! 

Want quote graphics, inspiration boards, and fun extras? Visit the Island of Exiles page on this site.

In Khya’s world, every breath is a battle.

On the isolated desert island of Shiara, dying young is inevitable. The clan comes before self, and protecting her home means Khya is a warrior above all else.

But when following the clan and obeying their leaders could cost her brother his life, Khya’s home becomes a deadly trap. The only person who can help is Tessen, her lifelong rival and the boy who challenges her at every turn. The council she hoped to join has betrayed her, and their secrets, hundreds of years deep, reach around a world she’s never seen.

To save her brother’s life and her island home, her only choice is to trust Tessen, turn against her clan, and go on the run—a betrayal and a death sentence.

Buy it from: Amazon | Barnes & Noble | Book Depository | Books-A-Million | IndieBound

Add this book on Goodreads.

Want to try before you buy? You can! Entangled Teen is posting several chapters of Island of Exiles on Wattpad, one a day until February 20th!

It’s a STAR!

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It’s hard to believe, but Kirkus not only loved Island of Exiles, they gave it a STARRED REVIEW! Look at all the wonderful things they said about my wonderful book baby!

KIRKUS REVIEW

Cameron (Assassins: Nemesis, 2017, etc.) tells a YA fantasy tale about a “nyshin”—a warrior, mage, and hunter—on a desert island rife with danger.

Khya is no stranger to hardship. Life on the island of Shiara is inhospitable at best, and as a nyshin, these burdens fall especially heavily on her. Nevertheless, she’s always been able to depend on her clan and the fact that everyone in it works for the good of the many. But everything changes when they threaten to take from her the one thing she can’t give up: her brother, Yorri. Her worries are understandable as her sibling approaches a rite of passage that will determine the course of his life, but the greatest dangers facing her are ones that she can’t even imagine. As storms rage across the island and enemies probe the clan’s borders, a conspiracy begins to unfold that will test everything Khya has ever known. Not knowing who to trust, she must rely on strange bedfellows: Sanii, a member of the servant class and the love of Yorri’s life; and Tessen, Khya’s sometime-friend, sometime-archrival, and possibly something more. But most of all, she must depend on herself, casting aside faith, duty, and honor for the strength of love and family. Readers won’t be able to put this book down, as the excitement begins from the first page and only grows from there. Cameron expertly blends worldbuilding and intriguing characters with page-turning action scenes and a story that builds in tension and complexity. The novel’s commitment to diversity adds new dimensions to the story, as the cast is entirely nonwhite, and the clan recognizes nonbinary gender identities and complex sexual orientations. The lexicon of unique terms and concepts may be intimidating to some readers, but the vocabulary adds fantastic texture to the world without distracting from the plot. This is rare gem of a book that has a lot to offer readers, including magic, action, and intrigue on the edge of a knife.

A fresh, original series starter, bolstered by a dynamic protagonist and a welcome sense of depth.

We’re at the three week mark, y’all!

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We’re inching ever closer to the Island Of Exiles release day! Only three weeks left now! 

My first countdown thread was all about  why I’m so excited to be releasing a fantasy novel.

Next, I talked about how one character became the anchor for my worldbuilding & revisions.

My third thread delved into how desire, kinks, power dynamics, and monogamy are perceived in Itagami.

I talked about magic last week and how it’s woven into the fabric of Itagamin society.

Today we jump back to sex and society, specifically orientation, gender, family, polyamory, and normalization.

While the word “bisexual” isn’t used in the book, I make it clear in character actions that this is a common and accepted orientation. It is, in fact, the most commonly claimed orientation in the clan. The whole spectrum of orientations exists, but bi or pan is “normal.” I make a point of the characters’ sexuality in the book partially to prove a point–that an accepting society can exist.

It’s strange to me that there are people who think accepting–NOT just tolerating–others’ choices would destroy the world. Normalization of acceptance has to happen to combat this, and currently, the easiest method is proof of concept media.

What do I mean by “proof of concept media”? Books, movies, TV, music, & art displaying cities & societies NOT destroyed by difference. Sagen sy Itagami isn’t a utopia by any means, but Island Of Exiles is definitely a proof of concept novel.
No one is ever shamed for their sexuality or their libido. Teased by their friends, sure. Taunted or mocked? Nope.

There is no word for slut or whore in Itagamin. There isn’t even a word for promiscuous. On the other hand, no one is ever laughed at or bullied for NOT having sex either. Ushimo is their word for asexuality.

All this is taught AND practiced. Children learn it alongside a very important reminder: Attraction is instinct. Action is a choice.

Consent is a crucial concept in this culture; you’re not allowed to even casually touch someone else without it. There are backstory reasons for the strictness of this societal law, but I never get a chance to go into them in the book. I can tell you it’s a separate story from the why behind the shape of families within Itagami, specifically the LACK of any family unit.

To explain that, I have to start with babies. Actually, I have to start with the making of babies.

Procreation is majorly restricted in Itagamin society. Pregnancies have to be pre-approved, partially due to population size concerns. It’s an isolated island with a southern Nevada-like landscape. Droughts could decimate a clan too large to sustain itself. Originally, it was partially due to of this restriction that the leaders of Itagami allowed & encouraged both bisexuality & polyamory. It was in NO way because of this restriction or population control that Itagamin leaders decimated the family unit. The saying about needing a village to raise a child? It’s taken pretty literally in Sagen sy Itagami.

When a baby is born, the parents go back to work and the baby is brought to one of the city’s four nurseries. Some parents keep track of their blood-born child’s progress, others don’t. Neither course is considered “right.” The nurseries are watched over by yonin caretakers. At age 5, kids move into a dormitory and begin their training.

One point of interest? Although citizens can’t escape their class once they reach adulthood, all children are considered equal. Children, no matter who their parents are, are given completely equal training and opportunities. Kids are trained with all weapons and then allowed to pick one they become expert at. They’re also taught the theories of magic. Everyone is taught theory so they’ll recognize it when they develop theirs. So they’ll know what to do when their own power appears. Also, the caretakers, teachers, training masters, and eventual commanding officers usually don’t know who a citizen’s parents are.

All children belong to the clan. Not everyone deals directly with the city’s youngest residents, but all are invested in the next generation. Every citizen in the clan would die to protect the city’s children.

At 16, everyone faces the herynshi, an incredibly difficult trial that determines the rest of their lives. The skill with weapons and magic they display in the herynshi is how the leaders place them in one of the three citizen classes.The classes are–

Nyshin: Warrior mages; leaders/fighters
Ahdo: Guardian mages; city guards/soldiers
Yonin: Non-mages; service/farming/mining

Sometimes romantic/sexual bonds form within training classes, but it’s more common for deeper bonds to form between citizens. Once placed, citizens can’t escape their class, but within it, relationship possibilities are both open and encouraged.

As I mentioned in a previous thread, marriage is rare in Itagami. Most people enter & leave relationships as needs change. Often there isn’t an official “relationship” at all. A fair number of Itagamin citizens choose to keep to short-term encounters instead. The most important thing is the safety of the whole clan, so it tends to create a city-wide bond rather than individual ones.

“The safety of the clan comes before our lives” is a mantra drilled into Itagamin children basically from birth. They take it seriously.

What I love about this society is how, within a class, it’s VERY equal. Excepting of procreation, there are no gender roles. There are three sexes–male, female, and ebet. Positions of power are relatively evenly spread between all three. Relationships between any combination of sexes–or any number of people–raises exactly zero eyebrows. Only someone’s skill with weapons and their prowess with magic impact their social standing.

All of these details were added on purpose. I worked hard to create a society that’s equal in a lot of ways our culture isn’t. Basically, all this talk is a lot of detail mainly to say one thing: Shiara isn’t exactly an island you’d want to live on, but I tried to make Itagami a society you’d want to live in despite that.

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Step onto Shiara in one month.

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Somehow, Island Of Exiles is only one month away. That’s only FOUR WEEKS!

When I started this whole countdown thing, I talked about why I’m so excited to be releasing a fantasy novel.

At six weeks I posted about Tessen, the unexpected linchpin of my editorial process.

Last week was different. I talked about sex, kinks, and differing power dynamics.

Today, I’m going to talk about magic.

It’s hard for me to imagine a fantasy without some element of the magical or impossible, but it’s rarely the same between books. Sometimes there are spells & talismans, sometimes blood & reciprocity, sometimes innate ability & prophecy. I’ve read novels set in dozens of worlds, and many of the authors had fascinating approaches to magic. The books I loved each taught me something different, and I incorporated many smaller elements into my own universe.

Children on Shiara are taught about desosa, the energy created & used by everything in the universe. This is what makes magic possible. The teachings of Sagen sy Itagami create makes who are specialists, very skilled in one particular skill or power.

Rai, one of the secondary characters, is a kasaiji, a fire mage. She uses the desosa to create a spark, or manipulates existing flames.

Etaro is a rikinhisu, someone with telekinetic abilities. Etaro is also an ebet, an established, accepted third sex (ey/em/eir pronouns).

The book’s narrator, Khya, is a fykina, a mage with the power to create energy shields to protect herself & others from metal & magic.

Each of these mage types uses the same energy source to do or create something specific, special, and powerful. Part of the difference between the skills is innate, a psychological quirk of personality changing how an individual sees the world. The rest of the differences in abilities is down to a person’s sensitivity to the desosa as well as their willpower. It’s hard to detect the subtly shifting energy fields of the desosa. It’s harder to channel and shape it.

Some people can only shape it to enhance their own body and/or senses. Tessen, for example, is a basaku. Basaku mages are those whose senses–all six of them (five physical, one for the desosa)–are incredibly over-enhanced.

Most other mages, however, keep the desosa outside of themselves, manipulating it in the world around them. There aren’t any spells or rituals on this island. Magic is treated like any other weapon Khya and the others train with. It’s a tool that someone is either capable of learning how to wield or it isn’t. Each mage type has specific lessons to master, and they’re not allowed to graduate the training program until they’ve done so.

Like training for a marathon, endurance and stamina have to be slowly built up over time. Same with skill and precision. However, no matter what type of magic the Itagamin mages are capable of or how strong they are, there are limits. Magic, like everything else, has rules. Breaking them is…not exactly advisable. Pushing yourself too far (for example, a rikinhisu trying to lift a massive boulder on day one of training) can be deadly. Almost no one can use desosa that’s been electrified by a lightning storm. The energy runs too hot; it burns people to crisp human shells. Mostly, though, magic is like any other physical activity. It’s exhausting.

Magic in all it’s strengths and forms is integral to Itagamin society, deeply so. It shapes their entire class structure. The dividing lines between the three citizen classes of Itagami aren’t drawn by blood, money, or politics–they’re drawn by magic. This means that once you’re placed in a group, moving beyond it is rare. Almost impossible. You can only advance within your class.

Creating a society so clearly defined was both easy and difficult. In Itagami, I managed to erase a lot of the prejudices modern society has–sexuality, skin, and religious beliefs don’t matter here. Doing this doesn’t mean the culture is a utopia, though. They have their own deeply ingrained biases. Almost all involve magic. What my characters eventually learn is that, in Itagami, magic, like energy, is far more malleable than they thought.

In four weeks, when Island Of Exiles releases, you’ll get to see all of this for yourself. I for one am THRILLED.

 

Pre-order soon! Island of Exiles is almost here.

Buy it from: Amazon | Barnes & Noble | Book Depository | Books-A-Million | IndieBound

Add this book on Goodreads.

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You can land on Shiara in five weeks!

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Five Weeks. FIVE. That’s one month plus one week. Hardly any time at all!

This week I’m talking about relationship dynamics. Specifically, how & why Khya and Tessen’s came to be not quite vanilla.

Short answer? It’s Kate Brauning​’s fault. The long answer is similar, yet a bit more complicated.

I wish I still had a link to Kate’s tweet, but it was something like, We must portray YA relationships as diversely as we do adult. Then she went on to say, (approximately) “For example, not all teens are entirely vanilla, but we give them no mirror.”

I said, “You’re okay with that? Because I can ABSOLUTELY do a D/s dynamic. Really, they’re already there. I just need to bring it out.“

Basically, Kate was all, “Yes. Good. Go.”

Knowing going in that my editor wouldn’t give me an “are we sure this is appropriate for teens” speech was a relief. It also gave me the freedom to explore the characters at a deeper level and take a new look at what sexuality meant in Itagami.

Desire (or a lack thereof) and the specific form that feeling takes is a very fraught topic in contemporary society. Dangerously so. The island of Shiara and the city of Sagen sy Itagami gave me a chance to erase a lot of the expectations and “rules” of desire. Although orientation is included in the “rules” (more to come another week), here I’m referring more to preferences, kinks, & fetishes.
Our culture makes a lot of value judgments on an individual’s behavior, ESPECIALLY in regards to sex.

In Itagami, the only rules are 1- CONSENT, 2- no irreparable harm, & 3- don’t let sex distract you from work.

That’s it.

Well, okay. There are a few more rules, but none regarding the HOW of desire or sex.

Although all of it is very minor, I mention or imply a lot of facets of sexuality in Island Of Exiles. Exhibitionism, voyeurism, masochism, and power dynamics all come up somewhere in some way in this book. For Khya and Tessen, though, control, power, trust, and surrender are all key components to their relationship. They both need something from the other, and a lot of the buildup with them is admitting those needs and trusting the other to meet them. Communication–verbal & non-verbal–is crucial in relationships, but especially in ones where power in the sexual relationship isn’t equal.

There are books (which shall remain unnamed) that portray these kinds of relationships in a VERY dangerous way. What I wanted to show is it’s not only okay to want things outside of the normal. It’s okay to talk about them. It’s okay to ask for them. What Khya and Tessen eventually illustrate (fair warning, they’re a sloooooow burn) is how everyone has different needs. Part of what makes relationships strong (ANY, not just romantic and/or sexual ones) is finding someone who needs what you can provide. Another important point, however, is recognizing your own needs and desires and accepting them.

How in the world is anyone supposed to do that if they never see a relationship that ticks their mental boxes in any form of media?

Like all other levels of diversity and representation, relationship dynamics and differing desires are so important. Dynamics, preferences, kinks, and fetishes are ESPECIALLY important for YA authors to consider and include. For most, the teen years is when they begin to discover arousal and desire. Or their lack thereof. If anything, portraying relationships outside the center of the bell curve is MORE important in YA than in adult. Puberty and adolescence and young adulthood are confusing enough. Why make it harder for anyone when we can provide a map?

What I hope is that Khya & Tessen–& the other pairings in the series–introduce teens to concepts about relationships they don’t often see.

In Itagami, monogamy isn’t societally expected. Polyamory is perfectly acceptable. Bisexuality is the normalized orientation. In Itagami, marriage–called a sumai bond in the book–is rare, but when that vow is made it is soul-deep and unbreakable. In Itagami, those who don’t have a sumai bond often move between romantic and/or sexual relationships as their needs change. In Itagami, “normal” has an entirely different set of definitions and expectations than what we’re used to, and I loved creating those rules. In Itagami, the how and why of what happens between two or more people isn’t something anyone else has a right to comment on. Not to say gossip doesn’t happen–it absolutely does–but the judgment and the interference I’ve seen happen in life doesn’t. Mostly.

Hopefully, all of this will be commonplace one day, but it’s not there yet. Especially in young adult fiction.

Khya & Tessen are snarky, strong, and incredibly fun to write. They’re also steamy as hell when they get together. Soon (sooner than I’m ready for, honestly), you’ll get to meet them for yourself!

Buy it from: Amazon | Barnes & Noble | Book Depository | Books-A-Million | IndieBound

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What year is it again?

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Being an author sometimes feels like constantly living in the future. Five weeks before book 1 of #RyoganChronicles releases, I’m digging into the first draft of the final book of the trilogy. Here’s to hoping I can close out Khya’s story with the same explosive force it started with. ?

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